![]() ![]() If anyone were to ever ask what makes an action film, they need only look at The Killer. John Woo put his name on the map in the way most international filmmakers can only ever hope to by crafting this extremely taut tale of justice and revenge and some of the best action in the genre. If the Gospel of John (Woo) can touch just one new human being, then it will have been worth our effort. This is simply a movie that we love so damn much that once it showed up on Netflix, we just knew we had to program it with the hope of introducing it to folks who hadn’t seen it before. Welcome all you Shrimpheads and Small B’s (or Dumbos and Mickey Mice, where applicable) to another edition of Two Cents! Usually with our picks we try to tie in to a current film or events somehow, but this week there’s no such pretense. ![]() I always save my last Two Cents, either for myself or for my enemy. Join us as we share our two cents on films we love, films we are curious about, and films we believe merit some discussion. Guest writers and fan comments are encouraged, as are suggestions for future entries to the column. The Cinapse team will program films and contribute our best, most insightful, or most creative thoughts on each film using a maximum of 200 words each. Two Cents is an original column akin to a book club for films. ![]()
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